Julie Ryan

Julie RyanBased at the South Aus­tralian Film Cor­po­ra­tion (SAFC) in Ade­laide, Julie Ryan formed pro­duc­tion com­pany, Cyan Films, with fel­low pro­ducer, Kate Croser in 2007.

In 2008 Julie pro­duced two fea­ture films: My Tehran For Sale shot entirely on loca­tion in Tehran; and Bro­ken Hill, a musi­cal drama set in the Aus­tralian out­back and pro­duced with Napoleon Dyna­mite pro­ducer Chris “Doc” Wyatt.

Prior to set­ting up Cyan, Julie pro­duced five fea­ture films and two doc­u­men­taries with Rolf de Heer at Ver­tigo Pro­duc­tions. The Old Man Who Read Love Sto­ries (2000), shot in French Guyane, South Amer­ica, star­ring Richard Drey­fuss and Hugo Weav­ing, was nom­i­nated for Best Film at the 2005 Film Crit­ics Cir­cle, Aus­tralian Film Insti­tute and IF Awards.

In 2002 Julie pro­duced The Tracker (2002) with leg­endary Abo­rig­i­nal actor David Gulpilil in the lead, was shot in the stun­ning out­back at Arka­roola. It was selected in Offi­cial Com­pe­ti­tion at the Venice Inter­na­tional Film Fes­ti­val in 2002, won Best Film at the 2002 Film Crit­ics Cir­cle and IF Awards, and received a Best Film nom­i­na­tion from the AFI Awards.

Alexandra’s Project in 2003 was a thriller star­ring Gary Sweet. It was selected for Offi­cial Com­pe­ti­tion at the Berlin Film Fes­ti­val, and was also nom­i­nated for Best Film at the Film Crit­ics Cir­cle and AFI Awards in 2003.

The 2006 film Ten Canoes was made with the Abo­rig­i­nal com­mu­nity of Ramingin­ing in Arn­hem Land, and won the Spe­cial Jury Prize in Un Cer­tain Regard at the 2006 Cannes Inter­na­tional Film Fes­ti­val. It also won Best Film at the Film Crit­ics Cir­cle and AFI Awards in 2006.
Her last film with de Heer, Dr Plonk (2007), a black and white, silent com­edy, was selected for the Visions Pro­gramme at the 2007 Toronto Inter­na­tional Film Festival.

Julie’s doc­u­men­tary cred­its include: Heather Rose Goes To Cannes (1998) which won the Cel­e­bra­tion of Abil­ity Award, Inter­na­tional Day for Peo­ple with a Dis­abil­ity in 1999; and The Balanda and the Bark Canoes (2006) which won the Audi­ence Award for Doc­u­men­taries at the Syd­ney Film Fes­ti­val in 2006.

Julie is cur­rently a bud­get asses­sor for Screen Aus­tralia and NSW FTO, and has been a SAFC board mem­ber since May 2008.

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